Under the shared heartbeat of “129BPM,” the dancers channeled their emotions through movement, navigating between individuality and collectivity both on and off stage. Extending beyond Vietnamese audiences, the piece has now been presented on an international platform at George Town Festival 2025 in Penang, Malaysia, marking a significant milestone for Vietnamese contemporary hip-hop performance on the international stage.
After two successful performance nights in Saigon and Hanoi, the performers of H2Q Dance Company brought “129BPM” — a contemporary hip-hop dance theater work — to George Town Festival 2025 (GTF 2025) in Penang, Malaysia. Originally titled as “129BPM: Động Phách Tách Kén” and co-produced with the Goethe-Institut Hồ Chí Minh City in 2024, the new touring production took place at the historic Dewan Sri Pinang theater from August 4 to 5 2025, presented and managed by MORUA, with travel sponsored by AirAsia and partial support from Đối South. Directed and choreographed by Bùi Ngọc Quân, the performance featured dancers Nguyễn Duy Thành, Lâm Duy Phương (Kim), Lương Thái Sơn (Sơn Lương), Nguyễn Ngọc (Mini Phantom), Bùi Quang Huy (Snoop Gee), Nguyễn Đỗ Quốc Khanh (Nega), and Vũ Tiến Thọ (Joong), alongside stage design by Mara-Madeleine Pieler, and live music by Tiny Giant (LinhHafornow and Tomes) and Nguyễn Đan Dương.
“129BPM” performance at Dewan Sri Pinang. Photos courtesy of George Town Festival.
The journey of “129BPM” to Penang began when Producer Red Nguyễn Hải Yến attended a forum for stage producers in Asia through GTF 2024, which highlighted the dialogue between heritage spaces and contemporary performance practices. Recognizing the potential of staging works in Penang’s historic buildings, old alleyways, and theaters — an atmosphere unique to the festival — she decided to submit the 129BPM project to the festival organizers, and received an official invitation to perform at the festival.
“129BPM refers not only to the rhythm of music, but it’s also a heartbeat — a palpitating heartbeat that shows our body in agitation, anxiety, as well as in thrill and fervor,” shared Choreographer Assistant and Stage Manager Lyon Nguyễn. Setting against the backdrop of rapid social changes that Vietnamese youths are facing, this raises a central question on self-identity: “Who are we in the middle of these changes with regard to our past and heritage?” Using hip-hop dance as a shared “language,” performers from backgrounds came together to create a collective voice while maintaining their own uniqueness, and move under one beat of 129BPM.
“129BPM” performance at Dewan Sri Pinang. Photos courtesy of George Town Festival.
Hip-hop is often associated with dance battles, where dancers only have limited time to showcase their skills and charisma. However, “129BPM” shifted the audience’s focus to the raw emotions and vulnerability of dancers on stage, expressed with their strongest movements and synchronization with one another. Developed and performed over the span of 75 minutes, this work challenges the dancers’ endurance, physically and emotionally. Dancers are placed in conditions where they must let their inner feelings surface: from joy to pain, from happiness to sorrow. At the same time, this framework also opens up new opportunities for experimentation: expressing emotions through movements, and navigating between one’s self identity and collective creation. While audience reactions to “129BPM” are diverse in Vietnam, in Penang the response was especially vibrant, with the audience spontaneously joining the performers in a post-show cypher — a hip-hop term for the circle dancers form, taking turns stepping into the center to dance — which embodied the spirit of creating unity and shared rhythm across differences.
“129BPM” performance at Dewan Sri Pinang. Photos courtesy of George Town Festival.
“Puzzles” workshop, led by the performers under the guidance of Director and Choreographer Bùi Ngọc Quân and Lyon Nguyễn, took place a few days before the live performances. Designed as a guided jam session, it invited local participants to explore improvisation, physical storytelling, and collective rhythm. Extending beyond the collective work among the performers themselves, the workshop opened up to a wider community, bringing together participants from adolescent to 75 years old, both experienced dancers and beginners. More than just a workshop, it became a space for cultural exchange, interaction, also community building — the very spirit that 129BPM hoped to share.
“Puzzles” workshop in Penang, Malaysia (30 July 2025). Photos courtesy of Tilda61 Media.
Bùi Ngọc Quân, who returned to Vietnam after more than 25 years with Les Ballets C de la B in Belgium, “129BPM” did not look to direct references to Vietnamese heritage through sound or imagery. Instead, its identity emerges from the lived experience of being in Vietnam: working closely with the dancers, understanding their desires, and allowing individuality and creativity to shape the process. As he notes, the work carries a distinctly Vietnamese sensibility “because all of us are allowed to comfortably be Vietnamese.” This perspective highlights the significance not only of what appears on stage, but also of the collaborative process that unfolds behind the scenes.
Director and Choreographer Bùi Ngọc Quân at “Puzzles” workshop. Photo courtesy of Tilda61 Media.
All team members of 129BPM at George Town Festival 2025.
“For independent theater works without government funding or access to costly infrastructures for ticketed performances, participating in festivals has become a key strategy to sustain the life of the work, while also serving as an entry point to introduce new hip-hop performances and Vietnamese theater to the world,” Producer Red Nguyễn Hải Yến told Saigoneer in Vietnamese, when asked about the significance of presenting an independent Vietnamese piece on an festival stage to new audiences in a country with different social and political contexts. “Sustaining the practice of independent artist collectives plays an essential role in shaping and developing a nation’s theatrical landscape.”
“129BPM” performance at Dewan Sri Pinang. Photos courtesy of George Town Festival.
More information and recap of “129BPM” performance at George Town Festival 2025 (Penang, Malaysia) can be found here on this Facebook page.
