In the Mekong Delta, Đồ Bộ Is Everything, Everywhere, All at Once
Despite its humble beginning as something worn just for convenience’s sake, đồ bộ has entered every minute of life in the Mekong Delta as a staple fashion choice that’s both flexible and colorful. Đồ bộ means “set outfit” in Vietnamese, a type of female casualwear made of soft, thin fabrics and often come in a top and long bottom combo. They’re sometimes referred to as “Vietnamese pajamas,” but these comfortable sets can be worn at any time of the day and even outside, not just reserved for sleep like pajamas.
Nguyễn Đổng Chi's Classic Retelling of Vietnam's Fairy Tales, Now in English
Folklorist and anthropologist Nguyễn Đổng Chi dedicated decades to weaving a significant portion of Vietnam’s folklore tapestry. He collected, researched, and rewrote over 200 Vietnamese folktales from all corners of the country. His work, initially scattered across five volumes published individually and consecutively over 25 years, appeared as a complete anthology in 1982. Guided by a comprehensive treatise of Vietnamese folktale, Chi’s Kho tàng truyện cổ tích Việt Nam (Treasury of Vietnamese Folk Tales) might be daunting for readers drawn to Vietnamese folklore but disenchanted by rigorous academic discourse.
In Thổ Hà Village, Rice Paper Spills Onto the Streets and Wraps Around Daily Life
A few hours after sunrise in the small village of Thổ Hà, Bắc Giang Province, alleyways morph into picturesque tunnels of drying rice paper, while ladies toast crackers over fire in the streets.
Carol Kim Brings to Life Rare Performance of 'Tại Vắng Anh' Thanks to Saigon Jazz Revival
The rich, bluesy ‘Tại vắng anh,’ written by Tuấn Khanh, was performed by Carol Kim this past November at Saigon Jazz Revival's inaugural concert in New Orleans.
Cliché or Parody? Orientalist Readings of Nam Le’s ‘36 Ways of Writing a Vietnamese Poem’
One may be surprised to learn that Viet Thanh Nguyen’s Pulitzer-winning novel The Sympathizer was rejected by 13 out of 14 publishers before its eventual publication. He describes in an interview why he believes his novel was rejected by all but one publisher he submitted to: “I knew in writing the novel that I was deliberately not doing what I was supposed to do as an Asian American writer, which is [...that] you have to end on a note of Americanization. You have to end on an embrace of the American dream, explicitly or implicitly. And the novel does not do that.” He comments elsewhere along similar lines, “I refuse[d] to subscribe to dominant American narratives and mythologies that allow someone like me a very narrow space to speak.”
Watching the Sunset From Lai Châu's Fansipan, the Roof of Indochina
Conquering Mount Fansipan’s 3,147 meters was once a feat reserved for those willing to take on the potential multi-day hike from Sapa to the summit and back.
Vietnam Arrests 7 Suspects Behind Streaming Site HiAnime on Piracy Charges
As part of the current crackdown on intellectual property infringement, Vietnam’s Ministry of Public Security recently took down a major network of websites providing illegal anime streaming.
Dropping the Disguise: The Evolution of Punk Band Cút Lộn Towards More Radicality
In recent years, CÚT LỘN has cemented themselves as one of the most recognizable hardcore punk bands to emerge from the Vietnamese underground scene.
A Damaged Masterpiece Reveals How Much We Take Our Cultural Heritage for Granted
A once-damaged national treasure remains on view as if nothing had happened, while other works are displayed with little context — what does this tell us about how art museums preserve Vietnam's cultu...
In 'Đêm Giao Thừa' EP, a Đàn Tranh Artist Offers Novel Twists on Nostalgic Tết Sounds
Indie đàn tranh artist Brian Bùi has just released Đêm Giao Thừa, an EP containing energetic covers of three classic Tết songs and an original track that pays homage to styles from the 1960s...
Unraveling the Mystery Behind the 'Mùi Việt Kiều' of My Childhood
My favorite candy used to be Hershey’s Kisses. Wrapped in colorful, sparkling foil, these little nubs of decadence made me feel special as a child, not just because of their sugary sweetness, but also...
When Lịch Bloc Is Gone, What Will Vietnam Use to Keep Discarded Fish Bones?
I have never bought a lịch bloc, or tear-off calendar, for personal use, because every new year, I'm bound to be gifted a brand-new one. In Vietnam, a calendar is often something one purchases as a pr...
The Vibrancy of Vietnam's Mundane Depicted by Illustrator Chan-Nhu Le
“I miss that. When I was young, on the motorbike with my friends, it was like ’hey, you have 15 minutes?’ and we just met up [...], had some street food and did literally nothing; just street watching...
The Unquenchable Spirit of Artist Lê Triều Điển
“Điển is like a flower; there is no question of growing or not growing.”
Saigon Residents Swap Screens for Ceramics as a Means to Relax and Connect
Can ceramics be a form of self-care? Sitting in a cozy space, slowly covering blank clay with color can have a profoundly calming effect. Rotating a textured mug in your hand to spread paint across a ...
Cổ Động's Live Session Series 'Động Tag' Returns for Season 2 With 9 Vietnamese Artists
Động Tag Live Session, Cổ Động’s series of live recordings aiming to highlight Vietnam’s up-and-coming musicians, is returning with a second season.
The Artist Preserving Saigon's Cultural Tapestry Through Hand-Painted Signs
"In the early 2000s, the market experienced an exodus of painters due to the shift to digital; it was difficult to retain customers otherwise. I didn't want my craft to be forgotten, so I started ever...
Memories and Heritage Considered Across Mediums at Dogma Prize Exhibition
How can personal and collective memories – alongside questions of community and heritage – be explored through artistic practices that span different mediums and respond to changing times?
Viet Thanh Nguyen's New Essay Collection Is Both Theoretically Sharp and Intimately Tender
Last year, acclaimed Vietnamese American writer Viet Thanh Nguyen published To Save and to Destroy: Writing as an Other, a collection of six essays adapted from the prestigious Norton Lectures that he...
In Sa Pa, Learning How to Indigo Dye, One Plant, Vat, and Beeswax Pen at a Time
My first meal in Sa Pa was accidentally earned. After a few hours of uneven rest in a sleeper bus and a short ride from Sa Pa city center to the village, I finally arrived, along with two other indigo...
Hanoi Indie Duo Limebócx Brings Tried-and-Trù Traditions to Young Ears
A grazing buffalo, frolicking water puppets, mystifying tam cúc cards, an insolent maiden in áo tứ thân, a rustic meal around cái mâm. These are just a few standout visuals that will haunt your brain ...
In His Research-Driven Artistic Practice, Quang deLam Maps History, Knowledge Together
What if art functions as a visual form for transmitting knowledge and entangled histories, and the artist is a messenger between them and the audience?
In the Era of AI Slop, I've Learned to Embrace Saigon's Ugly Urban Clutters
To live in Saigon is to coexist with clutter. Chaos is perhaps to be expected, when one’s habitat is a gargantuan crowded compressed narrow concretized megalopolis of over 10 million people, but few c...
On Grappling With a Consumerist Christmas in Saigon
Growing up in America, Christmas meant arriving at my grandmother's house and immediately devouring a handmade gingerbread cookie drenched in sugar; driving with my Dad to “candy cane lane,” where hom...
5 Vietnamese Brands for Christmas Gifts That Celebrate Local Creativity and Culture
Even though Christmas is arguably the most important holiday of the year in the west, it is not a traditional special occasion in Vietnam, at least not in the same way Vietnamese go gaga over Tết.
In Nguyễn Phan Quế Mai's New Novel, Saigon's Rhythms Hum in the Background
“I’m always homesick for Vietnam. To write is to return home. That's why I had to bring Vietnam alive onto the pages. I had to hear the people speak, I had to listen to the music, to the language; I h...
'Đời Gió Bụi,' Vietnamese Version of Nguyễn Phan Quế Mai's Novel 'Dust Child,' Released This Week
Originally written in English and already translated into more than 15 languages, Đời gió bụi (Dust Child) was released in Quế Mai's mother tongue on December 8.
Review: Quán Kỳ Nam Is an Instant Classic of Contemporary Vietnamese Cinema
Quán Kỳ Nam is a cozy, languorous film that might elude some viewers who don’t have the patience to sit around sipping on tea while waiting for hoa quỳnh to blossom. Still, just like waiting for those...