in Music & Arts

Explore the Realm of Sơn Mài Paintings via Nguyễn Xuân Việt’s New Solo Exhibition

What does it mean for an artist to preserve and continue the legacy of traditional Vietnamese lacquer across generations? Through this solo exhibition, Nguyễn Xuân Việt showcases his vast expertise and his endless enthusiasm for lacquer painting.

in Culture

Amid Saigon, a Traditional Lantern Craft Village Stands the Test of Time

Cellophane lanterns, the nostalgic anchors of our past full-moon festivals, are still alive thanks to the nimble fingers of craftspeople at the Phú Bình lantern “village” in Saigon.

in Culture

This Trung Thu, Learn How to Make Lion Heads From Huế's Lân Artisans

Often seen as the heart of Central Vietnam, Huế is the birthing ground for many traditional crafts. Artisan products from the ancient city often exude its inhabitants' elegance and rustic quality. Among them, the handmade lion’s heads from Huế carry distinctive slivers of beauty within them.

Paul Christiansen

in Culture

Are We Living in the Final Days of Cô Mía?

They say a person dies twice: once when their heart stops beating and a second time when people stop mentioning their name. If we alter this phrase a bit to include the last time one’s image is seen, Saigon’s beloved cô Mía may soon be receiving last rites.

in Quãng 8

Aprxel Builds Her Ethereal R&B Dreamscape With 2000s Nostalgia

“High school was when we all had lots of thoughts and reflections. And I felt like I didn’t fit in with the world around me at that time, so I turned to music as my companion,” Aprxel reflects on the period of time where her connection with music began to solidify, which ultimately set her on the path to become a music artist.

in Film & TV

Women in Post-Đổi Mới Vietnamese Cinema: From Archetypal to Multifaceted

In Vietnamese cinema, the female figure has long been employed to deliver macro-level messages rather than just mundane narratives.

in Music & Arts

Vy Trịnh Takes Us 'On Da Dream' via Her Solo Exhibition at Galerie Quynh

Tough-looking, yet elegant metal ribbons spark, spill, move and occupy all corners of the empty space: up and down, left and right, and in countless directions. Through a new series of sculpture works and a site-responsive sculptural installation, Vy Trịnh blurs the lines between the street scene and the exhibition space.